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Hunza Handicraft & Wood Carving: A Journey Through Tradition and Artistry

Nestled in the breathtaking valleys of Gilgit-Baltistan, Hunza is not only known for its stunning landscapes but also for its rich cultural heritage, beautifully reflected in its traditional handicrafts and wood carving. The artistry of Hunza handicrafts is a testament to the region’s vibrant history and dedication to preserving its cultural identity.

Reviving the Art of Wood Carving in Hunza

Wandering through the cobbled streets of Karimabad, visitors are greeted by an array of woodwork shops showcasing meticulously crafted spoons, forks, knives, and bowls. One such artisan is Shafqat Karim, who left his career as a policeman to pursue his passion for wood carving. A self-taught artist, Shafqat’s dedication to his craft has played a significant role in reviving this age-old tradition in the Hunza Valley. Using local woods like walnut, apricot, cherry, almond, and pear, Shafqat creates stunning pieces that are as functional as they are beautiful.

Shafqat and other artisans spend their autumn months traversing the upper Hunza valleys of Shimshal, Nagar, and Gojal in search of fallen trees, ensuring their work is sustainable and environmentally conscious. Their efforts have breathed new life into a craft that was on the brink of extinction, and their creations now serve as cherished souvenirs for visitors from around the world.

Discover the Craftsmanship at Hunza Wood Art

Hunza wood art is a celebration of the region’s natural beauty and cultural richness. Each piece, from utensils to musical instruments, tells a story of tradition and meticulous craftsmanship.

  • Ibex in Walnut Wood: The ibex, a symbol of strength and resilience, is intricately carved from walnut wood, reflecting the majestic wildlife of the region.
  • Markhor in Walnut Wood: The markhor, Pakistan’s national animal, is beautifully depicted in walnut wood, showcasing the artisans’ ability to capture the spirit and grace of this magnificent creature.
  • Forks, Cooking Spoons, and Serving Curry Spoons: Crafted from walnut, apricot, and mulberry wood, these utensils are not only practical but also a testament to the region’s rich natural resources and the artisans’ skill in transforming them into everyday objects of beauty.
  • Soup Bowls in Mulberry Wood: These bowls combine functionality with aesthetic appeal, highlighting the natural grain of the mulberry wood and the artisan’s attention to detail.

The Cultural Significance of Chardha / Hunza Rubab

The Chardha, a local variant of the Rubab family from the Hunza Valley and Gilgit-Baltistan, holds a special place in the region’s folk traditions. This beautiful instrument blends features of the Kabuli Rubab and the Pamiri Rubab, creating a unique sound that resonates with the cultural heartbeat of Hunza.

Handcrafted in Hunza with intricate mother of pearl and firoza embellishments from Peshawar, the Rubab is more than just a musical instrument; it is a symbol of cultural pride and artistic excellence. Known as “the lion of instruments,” the Rubab is one of Afghanistan’s national instruments and has a storied history dating back to the 7th century CE. It has been mentioned in ancient Persian texts and revered by Sufi poets.

The Rubab’s influence extends beyond borders, playing a crucial role in the musical traditions of countries like Pakistan, Iran, Turkey, and Uzbekistan. It was also the first instrument used in Sikhism by Bhai Mardana, the companion of Guru Nanak, who played the Rubab while Guru Nanak sang his shabads.

Embracing Gilgit Baltistan’s Traditional Handicrafts

Gilgit Baltistan’s handicrafts are a vibrant expression of the region’s cultural heritage. From the iconic Gilgit cap and Gilgiti topi to the intricate Hunza crafts, each piece embodies timeless elegance and the unique traditions of this enchanting region.

  • Handicrafts of Gilgit Baltistan: These diverse creations reflect the region’s artistic diversity and the artisans’ dedication to preserving their cultural identity.
  • Hunza Crafts: Each item, meticulously handcrafted with love and dedication, tells a story of tradition and artistry.
  • Gilgit Cap & Gilgiti Topi: Adorning oneself with these iconic headpieces is a way to celebrate the region’s distinct style and heritage.

The revival of wood carving in Hunza is more than just the resurgence of an art form; it is a rekindling of cultural pride and heritage. Artisans like Shafqat Karim are not only preserving the traditions of their ancestors but also adapting them for future generations to appreciate and cherish. When you visit Hunza, take a piece of this rich heritage home with you—whether it’s a beautifully carved spoon, a majestic ibex sculpture, or the soulful notes of a Chardha. Each piece is a testament to the enduring spirit and exquisite craftsmanship of Hunza.

Hunza Times
Hunza Timeshttp://hunzatimes.com
The author is a dedicated journalist with a deep focus on Gilgit-Baltistan, particularly Hunza. Passionate about amplifying the voices of mountain communities on a global stage, the author strives to bring authentic and truthful news about the region. Through active social engagement, the author works to boost arts, culture, and heritage, ensuring that the rich traditions of Hunza are preserved and celebrated. Beyond journalism, the author is also a skilled needle and thread artist and an artisan from Gilgit-Baltistan. With a firm commitment to promoting, preserving, and reviving the cultural heritage of the region, the author uses artistic expression as a means of storytelling and cultural diplomacy. By showcasing the arts, culture, and heritage of Hunza and Gilgit-Baltistan to the world, the author aims to reshape the global perception of the region and present its true essence. For the author, arts, culture, and heritage are more than just traditions—they are a passport to the world, a universal language that fosters understanding and builds bridges between nations. In an era where conflicts and divisions are prevalent, the author firmly believes that culture has the power to bring people together. Through artistic and cultural exchange, the author envisions a world where differences are celebrated, and humanity finds common ground in shared traditions and creativity.
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