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Rakaposhi Peak Hunza

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Rakaposhi is a mountain in the Karakoram mountain range in the Gilgit-Baltistan territory of Pakistan. It is situated in the middle of the Bagrote valley, Nagar valley and danyor, approximately 100 km north of the city of Gilgit. Rakaposhi is also known as Dumani. It is ranked 27th highest in the world.
The first successful recorded ascent by non-natives was in 1958 by Mike Banks and Tom Patey, members of a British expedition, via the Southwest Spur/Ridge route. Both of them suffered minor frostbite during the ascent to the summit on June 25. Another climber slipped and fell on the descent and died during the night.
Rakaposhi is notable for its exceptional rise over local terrain. On the north, it rises 5,900 metres (19,357 ft) in only an 11.2 km (7 mi) horizontal distance from the Hunza-Nagar River. There are views of Rakaposhi from the Karakoram Highway on the route through Nagar. A tourist spot in the town of Gilgit (located in the bagrote valley ) called “Zero Point of Rakaposhi” is the closest view point of the mountain.

Rakaposhi is the only mountain in the world which rises straight from beautifully cultivated fields to the height of 25,550 feet. From many places this wonderful spectacle can be viewed right from the base to the top.

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Hunza Times
The author is a dedicated journalist with a deep focus on Gilgit-Baltistan, particularly Hunza. Passionate about amplifying the voices of mountain communities on a global stage, the author strives to bring authentic and truthful news about the region. Through active social engagement, the author works to boost arts, culture, and heritage, ensuring that the rich traditions of Hunza are preserved and celebrated. Beyond journalism, the author is also a skilled needle and thread artist and an artisan from Gilgit-Baltistan. With a firm commitment to promoting, preserving, and reviving the cultural heritage of the region, the author uses artistic expression as a means of storytelling and cultural diplomacy. By showcasing the arts, culture, and heritage of Hunza and Gilgit-Baltistan to the world, the author aims to reshape the global perception of the region and present its true essence. For the author, arts, culture, and heritage are more than just traditions—they are a passport to the world, a universal language that fosters understanding and builds bridges between nations. In an era where conflicts and divisions are prevalent, the author firmly believes that culture has the power to bring people together. Through artistic and cultural exchange, the author envisions a world where differences are celebrated, and humanity finds common ground in shared traditions and creativity.

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